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The legibility of printing types
Variations of the shape in proper sense
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advertising alphabet American T. F. Amsterdam Antiqua Arpke artist atmosphere-value and forms Baskerville Bauer Bembo Bernhard Cursive Berthold Beton Bifur Bodoni Bold Butter Caslon Cheltenham circle clear Cloister Black colour Concl cross-stroke curve Deberny & Peignot diagonal display-types Ductus experiments Fairly figure foundry Fraktur Futura Genzsch & Heyse Gothic Goudy Grotesk heavy horizontal influence interch interchange Intertype Italic Klingspor Koch lack legibility letters Level of form Linotype Locarno Long projectors loop lower Lucian Bernhard Ludwig & Mayer Lutetia Mediaeval Modern Wide Monotype movement narrow Nebiolo Old Style Paul Renner Positive correlation possible printing types reader recognition Rudolf Koch Saeculum Schelter & Giesecke score Scotch Roman seen serifs Short projectors single characters speed of reading Stempel Stephenson Blake strokes subject saw Thannhauser thick thin Tinker type face typographical upper vertical Walter Tiemann width will-power words x-height