Lesbian Rule: Cultural Criticism and the Value of Desire
With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean.
Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films—from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story—and, in doing so, brings to light a nuanced economy of value and desire.
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aﬀective aﬀective value Agamben Almendros analysis archive becomes bian Brandon Teena Brandon Teena story capital catachresis chapter coded coming-out commodity conﬁrm context cover critical Cuban cultural deﬁned Derrida desire diﬀerent diﬀerential discourse displacement drag queens edited eﬀect essay Exile Shanghai feminist fetish ﬁeld Fiﬁ ﬁgure ﬁlm ﬁlm’s ﬁnal ﬁnally ﬁnd ﬁrst Forbidden Love Freud’s function gay and lesbian Gay Cuba gaze genre Güinera heteronormative homophobia homosexuality identiﬁed identity Improper Conduct insofar interview Jacques Derrida Jewish Jews Judith Butler labor language Lauretis lesbian impression lesbian pulp M. E. Kerr Mariposas Marx Muselmann narrative novels oﬀ oﬀers one’s Ottinger Ottinger’s Pietz Plissart’s photographs politics popular production psychoanalysis queer question reading reﬂection Reinaldo Arenas relation repression Right of Inspection Ruby Rich sense sexual diﬀerence shot signiﬁcant social speciﬁc Spivak story suﬀering theory tion translation Ulrike Ottinger understanding value-coding visible visual voice-over words York