Letters of Charles Demuth, American Artist, 1883-1935
Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hang in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a time when many American artists remained tied to Europe, Demuth "Americanized" European modernism.
This collection of 155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, inluding Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Williams. In his travels in the United States and abroad, he encountered many other talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stettheimer sisters, artists and writers, patrons, and gallery owners.
Whether he is offering to pick up a copy of Joyce'sUlyssesfor Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room ("just allow that red and yellow 'canna' one to spread until it fills the room"), Demuth is always in the thick of art and literary life. Flamboyant in attire but descreet in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone.
The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright. Author note:Bruce Kellneris Emeritus Professor of English, Millersville University, and a member of the Demuth Foundation Board of Directors. He is the author or editor of 10 other books.
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1929 Dear Stieglitz A. E. GALLATIN AGNES BOULTON ALFRED STIEGLITZ American painter anyway artist AUGUSTA DEMUTH Barnes Best wishes Biddle Brevoort Broadway Calla called Carl Van Vechten Carlos Charles Daniel Charles Demuth circa collector colour contemporary Creative Art cubistic Daniel Gallery Dear Thayer Dearest Stieglitz Demuth Foundation Demuth P.S. Demuth TO A. E. Demuth TO ALFRED Dial drawings Eugene O'Neill exhibition feel Ferdinand Howald Florine Stettheimer flowers friends Georgia O'Keeffe Gertrude Stein glad grand Henry McBride hope Hotel Brevoort illustrations John Marin Lancaster Let me know letter living look Marcel Duchamp Marsden Hartley Miss modern art Montross mother Museum of Art Nana never nice perhaps Philadelphia photograph poster portrait postmark Provincetown Robert Locher SCOFIELD THAYER seems seen September sincerely soon strange summer tell Thanks things town vaudeville water-colours week William wonderful write written wrote York