London and the Techniques of Setting in Ben Jonson's Comedies |
Contents
THE COMIC AESTHETIC AND DIDACTIC | 32 |
THE DEVELOPMENT OF SETTING IN | 50 |
THE DISCOVERY OF SETTING IN EASTWARD | 125 |
Copyright | |
9 other sections not shown
Common terms and phrases
Act Five Act Four Act Three action Alchemist Apollo atmosphere audience audience's Bartholomew Fair bearbaiting Ben Jonson Blackfriars characters Cheapside Clerimont comic Cordatus Corvino Court Cuckolds Haven Cynthia's Revels drama E. K. Chambers Eastward Eastward Ho Elizabethan Epicoene Epitasis familiar Fayre Finsbury Fitzdottrel Folio Foole frame functions of place gulls Herford and Simpson Hope Theatre Hoxton Humour in-out Induction Italian Jacobean Jonson Jonson's comedies Jonson's London Jonson's plays Justice Clement Knowell language last act Littlewit Location in Text London London comedies London scene London setting Lovewit's house Magnetic Lady Miter Morose Mosca movement noise Old Jewry Pancridge Paul's Pennyboy piazza play's playwright plot Poetaster Prologue Quarto scrutineo Sejanus setting in Jonson's Smithfield spacial relationships Staple street Subtle Subtle's suggests Tale techniques of setting Thames topographical allusions topographical comedy Truewit unity of place Venetian Venice Volpone Volpone's house wife Windmill