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THE DRAMATIC EVENT
THE DRAMATIZED EVENT
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adore el Nino analysis angel artistic audience members Bartolo chapter character Christmas church arena commodification commodity constitute constructed context costumes created Cucharon cultural dance deep play devils diablos dialectic director dislocation displacement dominant drama dramatic form dramatic structure elements emerge Ermitano expressive means folklore Franciscan Fredric Jameson gancho genre gift Gila Granados version historical home arena important infiemo infierno interaction labor of gratitude labor of performance Lady of Guadalupe liminal liturgical drama logic of capital Luzbel Maria and Jose masks mesi'as metaphysical world Mexican American Mexico Miguel mission arena musical nacimiento narrative Nino Dios opposition Parrado pastorela Pastores is performed performance event poetic political popular humor present redondilla referential world rehearsals relationships religious represent ritual role San Antonio scene shepherds social song South Texas southwest United Spain Spanish staging area structural domains syllables symbolic Tebano tension Texas-Mexican tradition troupe verbal conventions wage labor