Madame Bovary

Front Cover
Bantam Books, 1981 - Fiction - 424 pages
108 Reviews
In partnership with the New York Public Library, Doubleday is proud to introduce a very special collector's series of literary masterpieces. Lavishly illustrated with rare archival material from the library's extensive resources, including the renowned Berg collection, these editions will bring the classics to life for a new generation of readers. In addition to original artwork, each volume contains a fascinating selection of unique materials such as handwritten diaries, letters, manuscripts, and notebooks. Simply put, this series presents the work of our most beloved authors in what may well be their most beautiful editions, perfect to own or to give. Published on the occasion of Doubleday's 100th birthday, the New York Public Library Collector's Editions are sure to become an essential part of the modern book lover's private library.

Our edition of "Jane Eyre" features illustrations by Ethel Gabain from a 1923 Paris limited edition and an eclectic selection of archival materials including a handwritten letter from the author to her publisher. This volume is a unique celebration of Charlotte Bronte's most famous novel.

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LibraryThing Review

User Review  - klayman - LibraryThing

I started the book only because I suddenly ran out of books to read, but the first few chapters grabbed me and brought me on an exciting, as well as unexpexted, ride. I was expecting a corny romance ... Read full review

LibraryThing Review

User Review  - Kristelh - LibraryThing

I read this in college and again in 2009. I didn't review it? Hard to believe but my thoughts include; I really did not like Emma but then I did not like her husband either. It is a classic however. Read full review

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About the author (1981)

The great French novelist was born in Rouen in 1821, son of a distinguished surgeon. He studied law briefly, but in 1844 he was struck with epilepsy–it was the first of a series of violent fits that filled Flaubert’s life with apprehension and drove him to lead a hermit’s life. Having been attracted to literature at an early age, he soon turned his entire attention to writing. His first novel, Madame Bovary, won instant fame upon his publication in 1857: Flaubert was sued for “immorality,” but was later acquitted.

An avid traveler, his fundamentally romantic nature reveling in the exotic, Flaubert went to Tunisia to research his second novel, Salammbo (1862). Both Salammbo and The Sentimental Education (1869) were poorly received, and Flaubert’s genius was not publicly recognized until his masterful Three Tales (1877). Among his literary peers, his reputation was extraordinary, and he formed lasting friendships with Turgenev, George Sand, and the Goncourt brothers.

Despite his reputation as a master of realists, he was not fundamentally a realistic novelist. Flaubert’s aim was to achieve a rigidly objective form of art, presented in the most perfect form. His obsession with his craft is legendary: he could work seven hours a day, many days on end, on a single page, trying to attune his style to his ideal of balanced harmony, seeking always le mot juste.

In 1875 Flaubert sacrificed his modest fortune to help his niece, Caroline, and as a result his last years were marked by financial worry and bitter isolation. He died suddenly in May, 1880, leaving his last work, Bouvard and Pécuchet unfinished.

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