Making the White Man's Indian: Native Americans and Hollywood Movies

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Greenwood Publishing Group, 2005 - Language Arts & Disciplines - 211 pages
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The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites ("The Searchers") in contrast to the more peaceful Indian ("Broken ArroW"). By 1990 the release of "Dances with Wolves" appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality.

The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.

 

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Great overview of Hollywood's Native Americans in the movies. The behind-the-scene materials add perspective to an area often neglected. The interviews with directors and writers are especially engaging and helpful to understanding how the Indian's image was shaped over time. The conclusion about Hollywood today included interviews with filmmaker Hanay Geiogamah who was a producer for the TNT series on Native Americans and Chris Eyre's work on Smoke Signals. 

Contents

Hollywood and the Silent American
1
A Cultural Division
19
Indian Adventures and Interracial Romances
39
War and Its Indian Allies
59
Red Becomes White
81
A Shattered Illusion
101
Savagery on the Frontier
119
Beyond the Western
141
Conclusion
163
Motion Pictures Screened
167
Motion Picture Archives
173
Notes
175
Selected Bibliography
203
Index
207
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About the author (2005)

Angela Aleiss is a contributing writer for such publications as the Los Angeles Times, Variety, and The Hollywood Reporter. She is a former postdoctoral fellow at the American Indian Studies Center at the University of California, Los Angeles, and a Fulbright Fellow at the University of Toronto.

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