Media in China: Consumption, Content and Crisis

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Stephanie Hemelryk Donald, Yin Hong, Michael Keane
Routledge, Feb 4, 2014 - History - 256 pages
Multinational media companies increasingly look to China as a highly important market for the future, but with what degree of confidence should they do so? Media in China is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres. This interdisciplinary collection draws on the expertise of industry professionals, academic experts and cultural critics. It offers a variety of perspectives on audio-visual industries in the world's largest media market. In particular, the contributors examine television, film, music, commercial and political advertising, and new media such as the internet and multimedia. These essays explore evolving audience demographies, new patterns of media reception in regional centres, and the gradual internationalization of media content and foreign investment in China's broadcasting industries.
This book will of use to students and professionals involved in media and communication, as well as anyone interested in contemporary China.
 

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Contents

List of tables and figures
new convergences new approaches
Chinese media one channel two systems
the history and reality
The consumption of cinema in contemporary China
The globalnational position of hong kong cinema in China
four modes of televisual imagination in
television formats and content creation in
television
Crazy rabbits Childrens media culture
What can I do for Shanghai? Selling spiritual civilization
a market report
development and content
a short
Notes on contributors
Index

commercial fantasies in Chinas music
We are Chinese music and identity in cultural China

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About the author (2014)

Stephanie Hemelryk Donald is Senior lecturer in Media and communications at the University of Melbourne. Research interests include children and the media in China, film cultures and visual politics in the Asian region. Michael Keane is Research Fellow at the Creative Industries Research and Applications Centre at Queensland (CIRAC) University of Technology. His PhD. dissertation (1999) discussed policy and Chinese domestic television drama development in the 1990s. Research interests are media governance, and television format trade and creative industry developments in East Asia. Yin Hong is Professor in the Department of Communication, Tsinghua University, Beijing, China.

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