Medieval Architecture: Its Origins and Development, with Lists of Monuments and Bibliographies, المجلد 2

الغلاف الأمامي
Baker and Taylor Company, 1909
 

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة 51 - I' Architecture Fran^aise. He has therein given a profound and exhaustive illustration of Gothic. $He has shown that this architecture consists primarily in a peculiar structural system, — a system which was a gradual evolution out of the arched Roman through the Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls.
الصفحة 417 - Histoire de la vie et des ouvrages des plus célèbres architectes du XI siècle jusqu'à la fin du XVIII, accompagnée de la vue du plus remarquable édifice de chacun d'eux.
الصفحة 133 - Et ab hcedis me sequestra. Statuens in parte dextra. Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. Oro supplex et acclinis, Cor contritum quasi cinis : Gere curam mei finis. Lacrymosa dies illa, Qua resurget ex favilla, Judicandus homo reus. Huic ergo parce Deus, Pie Jesu, Domine, Dona eis requiem.
الصفحة 418 - Monumens de la France classés chronologiquement et considérés sous le rapport des faits historiques et de l'étude des arts, par le Comte Alexandre de Laborde.
الصفحة 427 - Monuments religieux de l'architecture romane et de transition dans la région picarde (anciens diocèses d'Amiens et de Boulogne), in Mémoires de la Société des antiquaires de Picardie, 1895.
الصفحة 183 - ... the mark of the collar ? If, again, the artisan worked long enough at any church, he naturally became attached to it, and it to him. The York Fabric Rolls show us worn-out head-masons or •Mr. Kingsley Porter (ii, 189) quotes an excellent example: "It is amusing to read in Gervase [of Canterbury] what infinite tact William of Sens was forced to employ to persuade the reluctant monks that it was necessary to destroy the charred fragments of the glorious choir of Conrad.
الصفحة 317 - ... lecture by itself. Infinite in their variety, they are all under the same inspiration. Laon has its perfectly proportioned plan and its great scheme of seven clustering spires; Soissons has its wonderful south transept which Porter calls " one of the most ethereal of all twelfth century designs and the highest expression of that fairy-like, Saracenic phase of Gothic art that had first come into being at Noyon.
الصفحة 426 - Rapport à M. le Ministre de l'intérieur sur les monuments, les bibliothèques, les archives et les musées des départements de l'Oise, de l'Aisne, de la Marne, du Nord et du Pas-de-Calais , par ML Vitet.
الصفحة 51 - Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls. This framework, made up of piers, arches, and buttresses, is freed from every unnecessary encumbrance of wall, and is rendered as light in all its parts as is compatible with strength...
الصفحة 246 - ... tota in coeli puritate, demorari, ab hac etiam inferiori ad illam superiorem anagogico more Deo donante posse transferri

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