Melodramatic Voices: Understanding Music Drama
Ashgate Publishing, Ltd., 2011 - Literary Criticism - 291 pages
The genre of m(r)lodrame a grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image."
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aesthetic Antigone audience aural ballet Bekker Berlioz Boucicault’s Bresson cabaret Camille Saint-Saëns century characters Chautauqua chords cinema composer concert contemporary critics culture DANNY Delbende Delsarte dialogue Dorothy Dracula dramatic early Eily elocutionists Emilio Sala emotional English Erwartung example expression film music final French genre gesture Gevaert Gustav Mahler Guy Maddin Hardress Herrmann Ibid instrumental Janáček Journal Lady Macbeth’s Leoš Janáček libretto London lyrique Macbeth Maddin Mahler melodrama Melodramatic Imagination melodramatic voice Mélodrame melody Mlle d’Armans modern monodrama monologues movement musique narrative nineteenth nineteenth-century opera opéra comique orchestra pantomime Paris Paul Bekker performance Peter Brooks Peycke Pixérécourt play poem popular priest’s recitation role Romantic Roméo au tombeau Roméo et Juliette Saint-Saëns scene Scharfrichter Schoenberg score Sept heures silent film song sound speech spoken stage strings sung Symphony tableau theatre theatrical tradition tragedy tremolo underscore Vasantasena visual vocal voice-over Waeber Wizard of Oz women words