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Conventions of Structure
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Aaron Hill acting editions action activity actor attitude audience basic beats Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements emotional entrance example exits expression extreme eyes Figure Floating Beacon focus forceful function genre George Arliss gesture give Grindoff hand hero heroine illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns pause performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor scene scenic plane seise sequence Siddons significant specific speech stage directions strong structure style sudden technique tension Theatre tion tonal tone torso tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford