Mestizo Nations: Culture, Race, and Conformity in Latin American Literature
Nationality in Latin America has long been entwined with questions of racial identity. Just as American-born colonial elites grounded their struggle for independence from Spain and Portugal in the history of Amerindian resistance, constructions of nationality were based on the notion of the fusion of populations heterogeneous in culture, race, and language. But this rhetorical celebration of difference was framed by a real-life pressure to assimilate into cultures always defined by Iberian American elites. In Mestizo Nations, Juan De Castro explores the construction of nationality in Latin American and Chicano literature and thought during the nineteenth and twentieth centuries. Focusing on the discourse of mestizaje—which proposes the creation of a homogenous culture out of American Indian, black, and Iberian elements—he examines a selection of texts that represent the entire history and regional landscape of Latin American culture in its Western, indigenous, and neo-African traditions from Independence to the present. Through them, he delineates some of the ambiguities and contradictions that have beset this discourse. Among texts considered are the Indianist novel Iracema by the nineteenth-century Brazilian author JosŽ de Alencar; the Tradiciones peruanas, Peruvian Ricardo Palma's fictionalizations of national difference; and historical and sociological essays by the Peruvian Marxist JosŽ Carlos Mari‡tegui and the Brazilian intellectual Gilberto Freyre. And because questions raised by this discourse are equally relevant to postmodern concerns with national and transnational heterogeneity, De Castro also analyzes such recent examples as the Cuban dance band Los Van Van's use of Afrocentric lyrics; Richard Rodriguez's interpretations of North American reality; and points of contact and divergence between JosŽ Mar’a Arguedas's novel The Fox from Up Above and the Fox from Down Below and writings of Gloria Anzaldœa and Julia Kristeva. By updating the concept of mestizaje as a critical tool for analyzing literary text and cultural trends—incorporating not only race, culture, and nationality but also gender, language, and politics—De Castro shows the implications of this Latin American discursive tradition for current critical debates in cultural and area studies. Mestizo Nations contains important insights for all Latin Americanists as a tool for understanding racial relations and cultural hybridization, creating not only an important commentary on Latin America but also a critique of American life in the age of multiculturalism.
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The Limits of
Mestizaje and the Fictional
Afrocentrism the Discourse
On Jose Maria Arguedas
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African Alencar Amerindian Amerindian culture analysis Anzaldua Arguedas Arguedas's assimilation Aymara becomes border borderlands Brazil Brazilian national Carta canta Casa-Grande e Senzala central century characteristic Chicano Chimbote colonial concept conquistadors contradictions Cornejo Polar cosmic race criollo critics Cuban Days of Obligation described difference discourse of mestizaje economic egalitarian elites emphasis ethnic European fact Freyre Freyre's Garc1a Canclini groups heterogeneity homogeneous Hunger of Memory hybridity implies incorporation Indian indigenismo indigenous intellectual Iracema language Latin American linguistic literary literature Los Van Van Mariategui Mariategui 1971 Martim Marxism mestizo Mexican American Mexico miscegenation modernity Moreover mulatto multicultural narrative narrator national identity negrito North American novel origin Peru Peruvian political population Portugal Portuguese present proposed Quechua racialist Rama's revolutionary Richard Rodriguez Rodriguez role scientific racialism seen Seven Interpretive Essays sexual slaves social society Spain Spanish American tion tizaje Tradiciones peruanas tradition transculturation translation Tupi Vasconcelos writings سم