Milton's English Poetry: Being Entries from A Milton EncyclopediaWilliam Bridges Hunter (Jr.) In this survey one may discover Milton as he saw himself and come to recapture some of his originality. The selections from A Milton Encyclopedia in this volume were written by experts in each subject. |
Contents
| 19 | |
| 26 | |
| 27 | |
| 29 | |
| 31 | |
Epitaph on the Marchioness of Winchester An | 33 |
Horace The Fifth Ode of | 34 |
LAllegro and II Penseroso | 35 |
On the University Carrier | 103 |
On Time | 104 |
Paradise Lost | 105 |
Paradise Regained | 143 |
Passion The | 173 |
Psalms Miltons Translations from the | 174 |
Samson Agonistes | 182 |
On May Morning | 210 |
Lycidas | 45 |
Mask A | 67 |
On Shakespeare | 87 |
On the Death of a Fair Infant Dying of a Cough | 88 |
On the Morning of Christs Nativity | 91 |
On the New Forcers of Conscience under the Long Parliament | 101 |
Sonnets Miltons | 211 |
UPON THE CIRCUMCISION | 224 |
| 226 | |
CONTRIBUTORS AND CONTRIBUTIONS | 244 |
| 246 | |
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Common terms and phrases
achievement Adam Adam and Eve Aeneid allegorical allusions angels argues argument biblical blank verse Book Brief Epic Christ Christian classical Comus Comus's contrast couplets critics Dalila dance death divine dramatic E. M. W. Tillyard early eclogue edition episode essay example F. T. Prince genre God's Greek Harapha heaven hero heroic human iambic pentameter imagery images Italian John Milton Journal of English kingdom L'Al Lady language Latin lines literary Lycidas Mask masque masque's Melancholy Milton's poem modern nature pagan Paradise Lost Paradise Regained Parker pastoral Patrides pattern Philology Platonic play poem's poet poet's poetic poetry praise present prose Psalm reader reading reference religious Renaissance rhyme rhythm Sabrina Samson Agonistes Satan scene sense sestet Shawcross shepherds song Sonn sonnet speech Spirit stanza structure Studies style suggests temptation theme tion tradition tragedy translation Virgil words
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Page 28 - O'er the smooth enamelled green, Where no print of step hath been, Follow me, as I sing And touch the warbled string: Under the shady roof Of branching elm star-proof Follow me. I will bring you where she sits, Clad in splendour as befits Her deity. Such a rural Queen All Arcadia hath not seen.