Modern Chinese Literature and Culture, Volume 12 |
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Contents
Ideology Monstrosity | 81 |
The Possibility of Critical Art | 115 |
Transnational Capitalism as Official Ideology? | 164 |
Copyright | |
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artists audience Beijing calendar Chen China Chinese culture Chinese literary Chinese literature Chinese Studies Chow Chow's cinema commercial Communist contemporary context critical critique Cultural Revolution Cultural Studies Danping Danping's depicts Dianshizhai dianying discourse drama essay fiction Figure film film's global Hollywood Hong Kong huabao Huang Yanpei ideological images imperial intellectual landscape language Laopu late Ming lithographed Lu Xun Ma-Xu Ma-Xu Weibang Mao Zedong Maoist memory modern Chinese literature Museum narrative nese painting peasant photographs Pictorial political popular postcolonial production propaganda poster published Qing Qiongwen Qiu Jin Qiuyi reading Renmin representation revolutionary rhetoric Shanghai Shen Shen Congwen social Song at Midnight Suzhou textual theater theme theory tion Titanic tomb Tong's traditional translation University Press visual Wang West Lake Western woman women woodblock print writing Xianqing ouji Xiao'e Yan'an Yangliuqing Yu's Yuan Yue's Zhang Zhongguo