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Forster Art for Arts Sake
Jose Ortega y Gasset The Dehumanization of Art
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abstract Absurd aesthetic American architect architecture Arcology Arthur Adamov artist audience avant-garde beautiful become Berenice Abbott camera century character cinema common create creation creative criticism culture dance direct cinema director dramatic dreams E. E. Cummings elements emotion epic theater existence experience expression fact feeling film film director Henri Cartier-Bresson hobby horse human idea Igor Stravinsky illusion imagination imitation interest jazz kind kitsch language listener literary literature living material matter means ment Merce Cunningham modern art musician nature never novel object painter painting Paul Klee performance perhaps photographer Picasso picture play poem poet poetic poetry popular art possible present produced pure question reality Roger Sessions sculpture seems sense social society sound space stage structure style surrealist T. S. Eliot television theatre thev things tion tradition understand visual words writing