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the problem of order
flowering and fading of the classical tradition
stating the problem
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academic according achieved archi architect architectural form Art Nouveau Art Nouveau movement artistic beauty became Berlin Bibl built century character classicism concept Corbusier Corbusier's creative instinct cubism decoration demands developed doctrine dwelling economic effect elements erected Erich Mendelsohn esthetic experiments expression expressionism facades finally followed Frank Lloyd Wright freed function furniture geometric Germany Gothic H. H. Richardson individual industrial interior Jakob Burckhardt Karl Friedrich Schinkel living Louis Sullivan masses material ment methods modern building modern construction modern house modern technique monumental Morris nature needs organic order organic structure ornament outer Paris pattern Peter Behrens practical problem of structure pure form realized region Renaissance revealed Rococo rooms Schinkel single social society solution space spirit of building style idea talent technical tect tecture tendency tion traditional ture unit urban Velde walls Walter Gropius whole Willem Marinus Dudok William Morris