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ON ARTISTS AND COLLABORATION A Symposium 311
MUSIC AS A LIBERAL ART Elliott Carter
FORM IS LINE Theodore Chanler
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Aaron Copland American music Arthur Arthur Berger artists audience ballet band Bartok beautiful Bernard Rogers Blitzstein chamber music charming choral classical Colin McPhee color composer's composition concert conductor contemporary contrapuntal Copland dance dancers effect Elliott Carter expression Festival film flute fugue Gail Kubik German harmonic Harris hear heard Hindemith idiom instruments interest jazz League of Composers Lou Harrison lyric Manuscript material melodic ment Milhaud Modern Music musicians opera Opus organ Overture Paul Paul Bowles percussion performance Philharmonic Piano Concerto piece played poem posers premiere presented Prokofiev Quincy Porter radio recent repertory rhythm rhythmic Robert Rogers Roy Harris Schirmer Schonberg Schuman score season seems solo soloist songs sonorities sound Stravinsky String Quartet style Suite Symphony technical texture Theatre theme Theodore Chanler tion tonal tone tunes twelve-tone variations violin and piano Virgil Thomson voice Walter Piston William writing written young