Modern rhetoric

Front Cover
Harcourt Brace Jovanovich, 1979 - Language Arts & Disciplines - 401 pages
0 Reviews

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Organizing the Composition
21
The Forms of Discourse
37
The Methods of Exposition
44
Copyright

15 other sections not shown

Other editions - View all

Common terms and phrases

About the author (1979)

Educator and critic Cleanth Brooks was born in Kentucky and educated at Vanderbilt, Tulane, and Oxford universities. From 1932 to 1947, he taught English at Louisiana State University and then moved on to Yale. At Yale, Brooks helped to articulate the principles of New Criticism, which dominated literary studies in the 1940s and 1950s. The New Criticism argued that the literary work was an organic, complex whole to be evaluated on its own terms, without reference to extraliterary concerns such as biography, authorial intention, or historical and social context. Brooks claimed that literature's powers are unique. In Brooks's view, what determines the force and specialness of literature is irony, created primarily through paradox and metaphor. While at Yale, Brooks coedited the journal Southern Review with Robert Penn Warren. Brooks also wrote several classic titles in collaboration with Warren, including Understanding Poetry (1938) and Understanding Fiction (1943). A third work Understanding Drama (1945) was written in collaboration with Robert Heilman.

Robert Penn Warren, the first Poet Laureate of the United States, was an unusually versatile writer who tried his hand at almost every kind of literature. In all of these forms, he achieved recognition and distinction, but it is as a poet, critic, and novelist that he was most widely known. Writing almost always about his native South, Warren produced 10 novels and a collection of short stories, The Circus in the Attic and Other Stories (1948). By far the most successful of his novels is All the King's Men (1946), the story of a southern politician and demagogue named Willie Stark, which Warren based on the rise and fall of Huey Long. Warren was considered one of the most influential of the New Critics, whose influence on the teaching of literature in American schools and universities during the late 1940s and 1950s could scarcely be overestimated. Because All the King's Men seemed to be the very epitome of what a good work of literature should be in New Critical terms---a complicated but highly readable narrative filled with irony and ambiguity---the novel came to be used widely in courses on modern fiction. It won both the Pulitzer Prize and the Southern Authors Award in 1947. Warren's other novels are disappointing by comparison. Following the success of All the King's Men, however, Warren seemed to turn to more loosely told stories about dramatic and romantic subjects, such as the interracial theme of Band of Angels (1955) or the natural catastrophes that serve as the crisis background for The Cave (1959) and Flood: A Romance of Our Time (1964). Wilderness: A Tale of the Civil War (1961) is an allegory of a man's spiritual quest for truth about himself and the world. Meet Me in the Green Glen (1971), the story of a tragic love affair, seemed to mark a return to the tighter structure and more complex artistry of Warren's earlier novels, but A Place to Come To (1977), his last novel, in which an elderly and renowned scholar who seems to owe much to Warren himself looks back on his family's past in an effort to find the meaning of his life, struck some reviewers as a confused and tired work. Sometime midway through his career as a novelist it is as if Warren stopped thinking of himself as a southern writer in the tradition of William Faulkner and turned instead to Thomas Wolfe for inspiration. Although in retrospect that switch must be regretted, no one can deny the immense influence of Robert Penn Warren on modern letters. Warren's poetry is intellectual, rich in powerful images, and has its roots in the pre-Civil War South. He continued to write impressive poetry almost until the time of his death.

Bibliographic information