Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition |
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Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose Limited preview - 2012 |
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose No preview available - 2012 |
Common terms and phrases
Abhinavagupta abhinaya according acting angahāras angas appears begins Bh.P bhāņa Bharata Bhoja bhramaris body movements called cāri century chapter classical commentary composition concepts considered dance dancer deals defines definition delicate described desi dance desi q.v. desilāsya q.v. detail discussion distinction divided dramatic type early edition emotion entire evidence example expression follows four gestures given gives graceful hand important includes India instrumental music interest Introduction karanas Kathak kinds known lāsya lāsyāngas later literature major mārga meaning medieval mentioned mimetic minor drama movements names Nartananirnaya nature nātya Nātyaśāstra nịtta noted nộtya nștta performed period places play postures presentation Raghavan rasa rāsaka recorded refers regional rhythm Sanskrit Sargitaratnākara Sārngadeva says seems seen shows similar song specific sthānas style suggests tāla tāndava technical technique term tradition variety verses Warder writers
Bibliographic information
| Title | Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Volume 12 of Studies of classical India, ISSN 0167-4161 Volume 12 of Synthese Library |
| Author | Mandakranta Bose |
| Publisher | Springer Science & Business Media, 1991 |
| ISBN | 0792313259, 9780792313250 |
| Length | 332 pages |
| Subjects | › Philosophy / General |
| Export Citation | BiBTeX EndNote RefMan |