Moving Viewers: American Film and the Spectator's Experience

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University of California Press, Apr 8, 2009 - Performing Arts - 296 pages
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Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
 

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Contents

Pleasures Desires Fantasies
18
Movies and Emotions
48
Stories and Sympathies
78
The Sensual Medium
112
Affective Trajectories and Synesthesia
140
Negative Emotions and Sympathetic Narratives
169
The Rhetoric of Emotion Disgust and Beyond
198
Moving Viewers
221
Notes
227
Bibliography
253
Index
269
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About the author (2009)

Carl Plantinga is Professor of Film Studies at Calvin College. He is the author of Rhetoric and Representation in Non-Fiction Film and the coeditor of Passionate Views: Film, Cognition, and Emotion.

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