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THE CONFLICT IN
3 Viva la Libertd
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Abduction achievement aesthetic Alcestis aria attitude Beethoven Belmonte beloved Berlioz Brigid Brophy characters Cherubino Commendatore composer concept of love conflict Constanze Count Countess death dominance Don Alfonso Don Giovanni Don Juan Don Ottavio Donna Anna Donna Elvira drama duet Dutchman Elvira emotions eros and agape erotic express fact feelings female Fidelio Figaro final Fiordiligi Florestan freedom give Gluck harmony hero heroic human idea ideal Idomeneo imagination Joseph Kerman Kierkegaard Leonore Leporello liberate libretto live lovers Magic Flute male masculine Masetto merely Moliere moral Mozart and Beethoven Mozart's opera myth mythic nature never orchestra Osmin Otto Rank Pamina Pasha passionate person Pizarro play poetry Ponte operas possibly prisoners reality Rolland Sarastro says scene Schiller seduce sense sensuous serenade sexual sing Statue Stendhal stone guest Susanna symbolize Tamino throughout the opera tion voice Wagner woman women words York Zerlina