Mozart's Music of Friends: Social Interplay in the Chamber WorksIn 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble. |
Contents
The music of friends | 3 |
3 | 21 |
4 | 111 |
Multiple agency and sonata form 156 | 156 |
Multiple agency and meter 198 | 198 |
Other editions - View all
Mozart's Music of Friends: Social Interplay in the Chamber Works Edward Klorman Limited preview - 2016 |
Mozart's Music of Friends: Social Interplay in the Chamber Works Edward Klorman No preview available - 2017 |
Common terms and phrases
accompaniment Allegro analysis analytical Baillot bass line Beethoven breakthrough idea cadence cadential cello chamber music Chapter characters chord clarinet composer composer’s composition concert conversation deceptive cadence discussion downbeat eighteenth-century English translation ensemble exposition four-bar G Major grupetto harmonic rhythm harmony Hauptstimme hearing hemiola Hepokoski hyperdownbeat hypermeasure hypermeter imitation improvisation interpretation Jacquin Kegelstatt keyboard Koch Koch’s Lerdahl and Jackendoff listeners measure melody meter Metric Manipulations minor minuet Mirka module Momigny Momigny’s motive movement Mozart’s chamber music MPR 5d MPR 9 multiple agency Music Theory musicians musikalische notated notes opera parallel passage performance persona phrase piano’s left hand piano’s right hand players playing Quatuor quintet recapitulation refer rhetoric rhythm role rule MPR salon score second violin shown in Ex sight-reading slur sonata form Sonata Theory statement String Quartet style subordinate theme texture Tom Beghin tonic trio two-bar University Press upbeat Vienna viola violin violinist voices W. A. Mozart