Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud
What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions.
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Music, Masculinity and the Claims of History: The Austro-German Tradition ...
Limited preview - 2016
anxiety articulation Austro-German Beethoven Biddle Bildung body bourgeois Cambridge University Press characterization classical music constituted consumption contagion context Counterpoint creative critical critique crucial cultural production deterritorialization discipline discourse network doorkeeper empirical encounter epistemological exemplary fantasy feminine feminism figure fin de siècle Fischer Verlag forms Frankfurt am Main Franz Kafka Freud Friedrich Friedrich Kittler Gehör genius German Gustav Mahler Hegel hegemonic Heinrich Schenker hero historical historicism Hölderlin ideal ideology imagination invective Jacques Lacan Jewish Kafka kind Kittler Kunst Lacan Leben listening logic Mahler Mahler’s music male marked marker Marx Marx’s masculinity material Max Brod modern musicology Musik narrative nature Naturphilosophie nineteenth century nonetheless notion Novalis one’s operation particular phallogocentric Philosophie physical political problematic putative queer radical reading romantic Schelling sense sexual Slavoj Žižek sonority space specific structure superego symptom technologies territory tradition trans translation trope Türhüter Vienna Viennese volume Wackenroder Wackenroder’s whilst writing