Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond
Erik Levi, Florian Scheding
Scarecrow Press, Mar 25, 2010 - Music - 216 pages
The grand narratives of European music history are informed by the dichotomy of placements and displacements. Yet musicology has thus far largely ignored the phenomenon of displacement and underestimated its significance for musical landscapes and music history. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond constitutes a pioneering volume that aims to fill this gap as it explores the interactions between music and displacement in theoretical and practical terms. Contributions by distinguished international scholars address the theme through a wide range of case studies, incorporating art, popular, folk, and jazz music and interacting with areas, such as gender and post-colonial studies, critical theory, migration, and diaspora.
The book is structured in three stages—silence, acculturation, and theory—that move from silence to sound and from displacement to placement. The range of subject matter within these sections is deliberately hybrid and mirrors the eclectic nature of displacement itself, with case studies exploring Nazi Anti-Semitism in musical displacement; musical life in the Jewish community of Palestine; Mahler, Jewishness, and Jazz; the Irish Diaspora in England; and German Exile studies, among others. Featuring articles from such scholars as Ruth F. Davis, Sean Campbell, Jim Samson, Sydney Hutchinson, and Europea series co-editor Philip V. Bohlman, the volume exerts an appeal reaching beyond music and musicology to embrace all areas in the humanities concerned with notions of displacement, migration, and diaspora.
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Adler Adomo Adorno aesthetic American anti-Semitism Balkans Berlin binary biographies bodily body Bohlman Caine Caine’s Cambridge chapter composers context critical culture dance deﬁned Dialectic of Enlightenment diaspora difﬁcult displacement Djerba emigration émigrés Enlightenment Eric Zeisl essay ethnomusicology Europe European example exile Exilforschung experience ﬁgures ﬁir ﬁlm ﬁnal ﬁnd ﬁrst Frankfurt gender German Ghriba Gustav Mahler Hara Hebrew Hirshberg Holocaust identity immigration inﬂuence intellectual Irish Israel Israeli jazz Jerusalem Jews Jezek Josef Tal London Mahler Mahler’s music Marr Marr’s migration Morrissey Morrissey’s movement musicians musicology Musik Muslims Nazi ofﬁcial original Oxford Palestine performance Petersen philosophy piano played political popular music Rabbi reﬂects refugees sense Shimon Bar Yochai signiﬁcant Smiths social society song sound speciﬁc Stefan Wolpe story studies Suhrkamp synagogue theme Theodor W Third Reich tion traditional Trans translation Tunis Tunisian Ullmann University Press Uri Caine Viktor Ullmann voice West Western writes York Zeisl