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1 The Spirit of Italy
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aesthetic arias artist Auden audience ballet Bassarids become beginning Berlin Boulevard Solitude bourgeois Cantiere century chamber orchestra Chester Kallman Cimarron colours composer composition conception Concerto conductor cultural dance Darmstadt death Dionysus dodecaphony Edward Bond Elegy for Young ensemble Enzensberger everything expression feel Festival flute German guitar heard ideas Ingeborg Bachmann instruments Italian junge Lord Karl Amadeus Hartmann Kbnig Hirsch language libretto listener living longer Mahler material means Mittenhofer modern Montepulciano musicians Musik und Politik Natascha Ungeheuer Ondine opera buffa opera house Orpheus Paul Dessau Pentheus percussion percussion instruments performance perhaps piano piece play players political possible premiere produced Rachel reality rehearsal rhythm scene score seems singer singing social solo sonata song sound stage Stravinsky strings style Symphony tension theatre things tonal Tristan violin voice W. H. Auden wanted West Berlin words write Young Lovers