Music in the World of Islam: A Socio-Cultural Study

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Wayne State University Press, Aug 1, 2001 - Literary Criticism - 213 pages
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The story of music told in this book begins in pre-Islamic times with musical forms that bear strong imprints of the Bedouin’s tribal way of life. Pre-Islamic music can be viewed as the forerunner of the art music that acquired a foothold after the advent of Islam. The history of Arab music then became inextricably entwined with the musical traditions of the conquered lands. The merging of diverse forms into a unique common style marked the advent of the Great Musical Tradition that gained favor throughout an extensive geographical area. By the end of Islam’s third century, distinct autonomous styles began to appear involving Persians and Turks in particular.
 

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Contents

The Rise of Islam
10
The First Dynastic Caliphate
18
Islam and Music
31
The Science of Music
45
Decentralization and Advent of Local Styles
68
From Constantinople to Kashmir
88
The Advent of Recent Trends
104
Scales Modes and Rhythms
110
Improvised and Compound Compositions
127
Dance
137
Folk Musical Traditions
154
Thematic bibliography
164
Addendum to thematic bibliography
189
List of sources
196
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About the author (2001)

Amnon Shiloah is professor of musicology at The Hebrew University of Jerusalem. He is the author of several books, including The Performance of Jewish and Arab Music in Israel Today, Vols. 1 and 2 (Gordon and Breach Publishing Group, 1997), The Dimension of Music in Islamic and Jewish Culture (Ashgate Publishing Company, 1993), and Jewish Musical Traditions (Wayne State University Press, 1992).

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