Musicology: The Key ConceptsNow in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:
With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines. |
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activity Adorno aesthetic American analysis approach argued associated attempts become Beethoven body Cambridge University Press canon century claim Clarke classical clearly composers concept concern consciousness consideration considered construction contemporary context creativity critical cultural defined described developed discourse discussion distinction early emergence emotion ethnicity example exists experience explored expression formal Further reading gender genre German human ibid idea identity ideology important individual influence interest interpretation issues jazz Kramer language late listening London Marxism meaning musicology narrative nature nineteenth century object opera original Oxford Oxford University Press particular past performance period perspective philosopher political popular music position possible postmodernism practice present production provides published question reception recording reference reflected relation relationship response seen sense significant social society sound specific structure studies style suggests theorist theory tion tradition understanding University Press Western writing York