Mystical Love in the German Baroque: Theology, Poetry, Music

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Scarecrow Press, Dec 23, 2008 - Music - 384 pages
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Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich SchYtz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from SchYtz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.
 

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Contents

Petrarchism
1
Petrarchan Poetry and the Madrigal in SeventeenthCentury Germany
25
Affective Expression in Poetry and Music
71
Affect and Discourse of Love
119
Mystical Love in Seventeenthand EighteenthCentury Lutheran Poetry and Theology
151
Spiritual and Mystical Love in SeventeenthCentury Vocal Music
225
Mystical Love in Johann Sebastian Bachs Vocal Works
273
Summary and Perspectives
319
Appendix
329
Bibliography
331
Index
345
About the Author
357
Copyright

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About the author (2008)

Isabella van Elferen is assistant professor of Music and New Media at the Department of Media and Cultural Studies of Utrecht University. She is the editor of Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day (2007).

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