Myth in Africa
In Africa the past and the present live very much side by side. African thinkers and intellectuals see their people's culture as rooted in time-honoured oral traditions and many African writers today use symbols, images and motifs from these traditions in their works. In this innovative study Dr Okpewho explores what he considers the essence of these traditions - myth - and examines its place in African life, literature and thought. Focusing on a number of tales from a selection of African countries, he shows myth to be the basic imaginative resource from which the larger cultural values derive. An established novelist as well as critic, Dr Okpewho discusses the narrative traditions of Africa - of which he continues to be a part - with balanced sympathy and objectivity. In this work he not only reasserts the pride in African traditions but also gives students of myth a fresh look at an old problem.
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aesthetic African society Akara-ogun analysis Anthropology archetypal Armah artist audience Bagre Bamba bard Beidelman Biebuyck chapter characters Clark concept contemporary creative culture Demoke diffusionist Diop divine element epic essence European experience fact Fagunwa fancy father figures Folklore folktale Forest Frazer Freud functions Goody Gordon Innes griot hero heroic historical human Idanre ideas Idoma Igbo interest Kaabu Kaguru king language legend Levi-Strauss literature logic Malinowski Mandinka mind motifs Mwindo Mwindo Epic myth mythic mythmaking mythology mythopoiesis narrator Nigeria novel Nwakadimkpolo Nyanga Obatala observed Ogboinba Ogun oral narrative tradition oral tradition origin outlook Ozidi Ozidi Saga performance perhaps play poetic primitive problems Propp race Raymond Firth reality relationship reveals ritual role saga says scholars seen sense simply social song Soyinka story Structural Anthropology structure Sunjata symbolic tale tells thought tion traditional African various Wole Soyinka woman Woyengi Yoruba Yoruba mythology