N.Y. / L.A.

AuthorHouse, 30 . 2006 . - 316 .
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The colorful, morally complex life of Matthew Fleming, an actor of rare talent, from an impoverished but work-filled decade in Off-Broadway theaters through his 'overnight' success on Broadway - then on to international acclaim as a charismatic movie star - is the 'stuff of this gripping novel.Matt is haunted by the belief his leap from obscurity to fame wasn't due to his gift alone but also to the death of a wealthy lover, Andrea Whittaker. He is convinced her drowning, considered accidental, was, in fact, a murder and that he knows the perpetrator. Yet for reasons he's long repressed, he never sought justice for the killer.A lesser anguish gnawing at Matt Fleming's emotional core is his need to express himself on stage before live audiences. To make the break from his domineering manager/partner, David Whittaker -Andrea's widowed husband - who insists he stick with movies, and Laura Fleming, his glamor-struck wife who would never leave Malibu with Harry, their young son, to return to gritty N. Y., he jumps at an offer to make an 'art' film in England. He hopes it will provide the distance he needs in order to decide how he can rid himself of real and imagined demons...The narrative begins and ends in the winter of 2000. A youthful forty, Matt is playing Prince Hal in director Kenneth Branagh's version of Shakespeare's Henry IV. A role he's always aspired to, his London experience is further buoyed by a serious, surreptitious love affair with Beth Winters, the Lady Percy of the film. But he dare not make her privy to the dilemmas which by now are causing him to have terrifying nightmares.Re-enter Charley Sutter. A retired New York Homicide detective turned insurance investigator, he first met Matt ten years before when assessing whether Andrea's death possibly could have been a suicide. Despite their brief encounters since Matt moved to L. A., a strong father-son bond developed between the two men.It is to Sutter he finally confesses his weighty secret, flying to New York for an intense weekend with him. At first shocked by Marts charge of murder and who he intuitively believes to be the killer, bit-by-bit the sage cop buys into the actors far-fetched notion, while remarking the odds are against ever proving the case. Sutter then raises a more daunting question: if Matt pursues his accusation and even succeeds in what must be a major public trial, wont his long, inexcusable silence mean the end of his storied career? Matts love of his art, Beth and Harry are all at stake if he permits his conscience to dictate his next step. What judgement will prevail to take him into the third act of this compelling drama...?

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Born to European emigrants, William Kronick grew up in Amsterdam, New York. He won a scholarship to Columbia College where he was active in the Columbia Players stage productions. He also helped form The Gilbert and Sullivan Society at Barnard College.
While at Columbia, William Kronick was deeply impressed by the Swedish playwright August Strindberg, especially by his major work, "Miss Julie," which had been made into a movie directed by Alf Sjoberg.
After graduation William Kronick was drafted into the U.S. Navy where he became a Photographers Mate. During a North Atlantic exercise, his ship anchored at Stockholm. Kronick took this opportunity to contact Alf Sjoberg, who agreed to meet with him.
Kronick asked Sjoberg about an apprenticeship. Sjoberg suggested that his protégé, Ingmar Bergman, might be a more rewarding filmmaker to observe and made the arrangements with Svenskfilmindustri Studios for Kronick, once out of the Navy, to be part of Bergmans next film "The Magician." He was the first foreigner to be granted such entree.
Upon returning to New York Kronick found a job as Production Assistant with Louis de Rochemont Associates. So began his four-decade career as a writer, director and producer.
Kronick's first film was a twenty-seven minute comedy-satire called "A Bowl of Cherries" (1961). The film, which played in nearly a thousand art theaters in the U.S. and Europe, was seen in L.A. by a producer of TV documentaries, David L. Wolper. He offered Kronick the directing/writing position on a new reality series, "Story of..."
Over a period of decades, Kronick, with total creative control, would write and direct some of Wolpers highest-rated Network Specials, ranging from "Alaska!" (National Geographic) to "Plimpton!" to "The Five-Hundred Pound Jerk" (A Movie-of-the Week, Director only) to "Mysteries of the Great Pyramid."
His first feature, independently financed, was "A Likely Story" (a.k.a. "The Dublin Murders"). Kronick also did long-term stints as Second Unit Director on features such as "King Kong" (1976) and "Flash Gordon" (1980), on which he was responsible for many action and special effects sequences.
In 2000 he devoted himself to writing novels. The tales are contemporary morality stories, dealing mainly with film and theater.
He has been married and divorced twice and has a son, Max, by his second wife. Kronick resides in Los Angeles.