Nadia and Lili Boulanger
Pioneers in their fields and two of the best-known women in music in the twentieth century, Nadia and Lili Boulanger have only previously been considered in isolation from one another. Yet, as Caroline Potter's new book demonstrates, their careers were closely linked during Lili's short life (1893-1918) and there are several intriguing connections between their musical works.
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Albert Samain bars Bibliothèque Nationale bien Boulanger’s music c’est Camille Mauclair cantata career Caussade choral chord chorus chromatic ciel Clairières classes CNSM de Lyon coeur collaboration competition composer concert d’une dated Debussy Debussy’s diary Durand Fauré Fauser female final ﬁrst fugue Gabriel Fauré Gargenville Georges Caussade harmony Hélène Hjalmar Ibid j’ai La princesse Maleine Léonie Rosenstiel letter Lili Boulanger Lili Boulanger’s Lili’s Maeterlinck manuscript minor Mlle morte musicians Nadia and Lili Nadia Boulanger Nadia Boulanger’s hand opera orchestral version Paris Conservatoire pedal Pelléas et Mélisande performed piano piece play poem Poulenc prem premiere princesse Maleine Prix de Rome prize Psalm Psaume pubd published pupils qu’il Raoul Pugno Ricordi Rome cantata Rosenstiel 1998 scene score setting sirènes sisters sketchbook sketches soir solo soloist song soprano Stravinsky style teaching texture theme tonal v/pf Text verse violin vocal voice writing written wrote