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Gender Politics in the Showmans Discourse
Voice Distance Temporal Perspective and
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actual reader African American analysis asked audience's authorial audience Becky beliefs Beloved Booth Butler's captain Catherine chapter character claim complicated concept Conrad critics D'Souza's deconstructive discourse Dolfman effect ence essay ethical evaluation experience facts Farewell to Arms feel fiction Fitzgerald flesh-and-blood Frederic Frederic's voice functions Furthermore Gatsby Gatsby's Hemingway Hemingway's heterodiegetic homodiegetic narration ideal narrative audience ideology Illiberal Education implied author instabilities interpretation Joe's Leggatt logic lyric Madame Blanchard Magic maid maid's story mimesis mimetic Moore's Morrison move narrative as rhetoric narrative's narratology narrator's Nick Nick's Ninette Ninette's story novel paradox paralipsis passage patriarchy perspective position progression question Rabinowitz rative reader-response criticism reading recalcitrance recognize relation relationship response role Schaub second-person narration Secret Sharer sentence Showman speaker Stanley Fish structuralist stubborn style technique telling Thackeray's thematic things tion tive understanding unreliable unreliable narration values Vanity Fair Wolfsheim Woolf