Neo-impressionism: Artists on the Edge |
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abstract aesthetic Antibes Application approach Art Nouveau artists Black Blanc blue boats Boston Brown Collection called Charleroi circa Cloud color composition concerned connection contemporary continued Courtesy create critic Cross decorative depicting early edge effects elements essay example exhibition Fénéon figures Fogg Art Museum forms France French Fund Gallery Georges Gift harmony Harvard Henri-Edmond Herbert idealized important Impressionist inches influence interest IRIS John Landscape light lithograph Maximilien Luce memory Michigan movement mural Museum of Art nature Neo-Impressionism Neo-Impressionist nineteenth century noted offers Oil on canvas painters painting Paris particularly past patterning Paul Signac Photographs points Port Port-en-Bessin present Press printmaking produced published Puvis de Chavannes reference Rysselberghe sails Scott seems seen sense Seurat shapes similar style suggest surface technique term theories throughout tradition University Art vision Walter F yellow York