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From The History of Ancient Art 1764
Gotthold Ephraim Lessing 17291781
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Academy admiration Agamemnon ancient antiquity Apollo appear artists become Blake's body character color composition Convention copy Correggio criticism Diderot Discourses divine draw Enlightenment Erwin von Steinbach everything excellent exhibition expression feeling figures Fuseli genius give Goethe Gothic grandeur Greek hand harmony Henry Fuseli history painting Homer human idea of beauty ideal ignorart images imagination imitation Inspiration Jacques Louis David judgment landscape Laocoon learned letters light look manner masters Medici Venus ment Michael Angelo mind modern monuments nature Neoclassicism never object observed original painter painting Paris passions perfect Philipp Otto Runge picture Piranesi poetry poets possessed principle proportions Raphael Rococo Roman Rome Rubens Salon sculpture seems sense simplicity Sir Joshua Reynolds soul spirit statue Storm and Stress style sublime talent taste thing thought tion Titian translation true truth whole William Blake Winckelmann young youth