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From The History of Ancient Art 1764
Gotthold Ephraim Lessing 17291781
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Academy admiration ancient antique Apollo Apollo Belvedere appear artists beauty Blake body character Charles Baudelaire Claude Lorrain color composition copy Correggio criticism David Delacroix Discourses divine drawing E. T. Cook Elgin Marbles Eugene Delacroix everything execution exhibition expression feeling figures French Friedrich genius Gericault German give Goethe Greek hand history painting human idea ideal imagination impression individual Ingres inspired kind landscape language Laocoon light living look marble masters means Michael Angelo mind modern monuments Neoclassicism never object observation original painter painting Paris passion perfection Phidias Philipp Otto Runge picture pleasure poet poetry praise principles produce Raphael Reynolds Roman Romanticism Rome Rubens Salon sculpture seems sense shadow soul spirit statues style sublime talent taste Theseus things thought tion Titian trees true truth whole William Blake Winckelmann words writings young