Neue Sachlichkeit: Malerei, Graphik und Photographie in Deutschland 1919-1933
"This book examines one of the most important trends in German art of the 20th century. Between the years 1922 and 1930, Neue Sachlichkeit-the New Objectivity'-exerted a decisive influence on the development of art, turning away from the main currents of avant-garde for the first time, to explore new avenues. It thus articulated the cultural ideals of Weimar Germany more precisely than Expressionism or the Bauhaus. In focusing on the society of the 1920s and the objective representation of the world around them, the artists of the New Objectivity offered a visual barometer of the lifestyle of their day, a factor that contributed to the popularity of the movement."--pub. desc.
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Academy of Art Active military service Alexander Kanoldt Arts and Crafts August Sander Beckmann Co-founder Cologne cultural depicted drawing Dresden Academy Dusseldorf Academy elements Ernst exhibition Expressionism Expressionist Felixmuller Franz Radziwill Freiburg Ftexi-cover Galerie Georg Scholz Georg Schrimpf George Grosz German Communist Party graphic Hanover illus Johanna Ey Karl Hubbuch Karlsruhe Karlsruhe Academy Kulturbesitz Kunst Kunstblatt Kunsthalle landscape lichkeit lormat magazine Mannheim Max Beckmann motif Munich Museen zu Berlin Nagel National Socialists Nazi Neue Sach Neue Sachlichkeit Neue Sachlichkeit art Neue Sachlichkeit artists Neue Sachlichkeit painting objects Oil on canvas Oil on wood one-man show Otto Dix painter Paris Participates Pencil period of residence photography pictorial Pittura metafisica political portraits Private collection Prize Raderscheidt realistic reveal Rexi-cover Rudolf Dischinger Rudolf Schlichter Schad School of Arts Secession Seiwert Self-Portrait Staatliche Museen Stedelijk Museum Studies Stuttgart style stylistic Takes tion Uzarski Verist Watercolour Wilhelm Young Rhineland