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THE EUROPEAN AVANTGARDE
The Father of Noise
2 The Legacy of Webern
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acoustic aleatory amplified artists Berio Boulez Cage's Cardew chance chords Christian Wolff Cologne colour combined complex composer composition concert Cornelius Cardew create David Tudor duration dynamic Eimert elec electronic music electronic sounds electronic studio elements ensemble entirely Etude example Experimental Music Feldman filtering Fluxus frequencies gestures glissandi Gordon Mumma gradually harmonic Iannis Xenakis idea impression improvisation instru instruments IRCAM John Cage Kagel Ligeti live electronic Lucier Maderna material ments Michael Nyman microphones Morton Feldman musicians musique musique concrete noise Nono notation orchestra painting Parmegiani percussion performance piano piece pitch played players Pousseur produce Quartet radio range realised recorded Reich resonances rhythmic rhythms ring modulation Russolo Schaeffer Schoenberg score Scratch Orchestra sculptures serial silence sine tone solo sonorities space spatial Stockhausen strings structure studied style synthesiser tape technique textures theatre timbre tion tonal tronic Tudor twelve note Varese Variations varying vocal Webern's Wolff Xenakis