New Writing, New Approaches: A ReviewEldred D. Jones |
Contents
EDITORIAL | 1 |
Individualism and Community in the Theatre of Serumaga | 22 |
Hamidou Kanes Hero | 49 |
Copyright | |
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Acoli African Literature African theatre Aïssatou Amatu Andrew Horn artistic audience becomes Burness characters Chattering commitment critical cultural Dakar death Dethye Law Diallo Dieng Diob dramatic faith father feels Femi Osofisan Fixions Four Robbers Gerald Moore Goré's Heinemann AWS Heinemann Inc hero human Ibadan Igbo Ikael intellectual Islam Izongo Jeri Jeri's Kampala Kane's Kurunmi language Lejoka-Brown literary London Majangwa man's Mawdo meaning messenger Mme Goré modern Modou Money-Order moral Munonye Munonye's Mutimukulu Nairobi Ngugi wa Thiong'o Nigerian novel Okara Okolo Okolo's Okot p'Bitek Once Upon Four Osofisan Ovonramwen play playwright poem poet political Ramatoulaye reader Renga Renga Moi role Rotimi Samba says scene seems Sembène Sembène's Serumaga Seydou Traoré situation social society solitude Sologa Song Sowande story Surinamese symbolic Taban lo Liyong technique theatrical theme tion traditional Trefossa truth Uganda Ukeleke village voice Voorhoeve West African western White Genesis woman words Yanji