Newport Through Its Architecture: A History of Styles from Postmedieval to Postmodern

Front Cover
UPNE, 2005 - Architecture - 297 pages
A remarkable coincidence of unplanned historical events has preserved Newport, Rhode Island’s architectural heritage in a way that is rare among American cities. Newport has the largest number of pre-Revolutionary War buildings in North America, with some 800 in its old historic districts.

In the nineteenth century, Newport was the summer home to America’s most prominent families and patrons of outstanding architecture. With a diverse range of styles, Newport exemplified the greatness of mid-nineteenth-century American architecture. As Newport gained social importance in the 1880s, the Bellevue Avenue and Ochre Point neighborhoods became the sites of lavish Beaux-Arts palatial residences.

Newport’s twentieth-century architecture explored all modern currents, ranging from progressive Bauhaus functionalism as it evolved into the International Style of the 1950s to more conservative Art Deco and Scandinavian Modernism. After 1975, the postmodern era gave rise to a spirit of preservation and adaptive reuse, inspiring the Modern Traditionalism of architects such as Robert A. M. Stern. In a more vernacular vein, postmodern shopping centers, restaurants, and commercial establishments provided fertile ground for an especially well-informed postmodern kitsch.

What people are saying - Write a review

We haven't found any reviews in the usual places.


The Postmedieval Jacobean Style and Newports Founding I
Federal and Greek Revival Architecture 17801840
The Italian Villa and Italianate Architecture of the 1850s
The French Roof and the Civil War Era
Queen Anne Variants 18701890
The Shingle Style before 1885
ΙΟ The Colonial Revival after 1885
The BeauxArts and Academic Eclecticism in the
Modernism from the Bauhaus to Postmodernism

Other editions - View all

Common terms and phrases

About the author (2005)

JAMES L. YARNALL is an assistant professor in the Department of Art at Salve Regina University in Newport, Rhode Island, where he teaches art and architectural history. He also offers courses in the University's Cultural and Historic Preservation Program.

Bibliographic information