Nineteenth-century Literature Criticism, Volume 40
Laurie Lanzen Harris
Gale Research Company, 1993 - Literature, Modern
Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.
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The Double in NineteenthCentury Literature
The French Revolution and English Literature
Sturm und Drang
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appears artist asserts autobiography beauty becomes brother Brothers Karamazov Burke Burke's Carlyle character child Coleridge confession consciousness criticism culture death Dickens Dostoevsky double drama E. T. A. Hoffmann emotions English essay experience expression fact father Faust feeling fiction figure France French Revolution German Goethe Goethe's Golyad Golyadkin Gothic Gotz Herder hero human idea ideal imagination individual Ivan Javert Jean Valjean Klinger language Lenz literary literature living Mary Mary Shelley Medardus ment metaphor mind moral narcissism nature Newman novel one's passion Peter Schlemihl philosophy play poem poet poetic poetry political Praeterita psychological reader reality reflection religious revolutionary romantic Ruskin Sartor Resartus says scene Schiller seems sense Shakespeare Shelley sion social society soul spirit Stavrogin Stiirmer story Sturm und Drang Sturmer und Dranger suggests symbol Terror theme thought tion truth Victorian violence vision Werther women Wordsworth writing