Notes and Tones: Musician-to-Musician InterviewsNotes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ’60s and ’70s—including: |
Contents
Introduction to the Da Capo Edition | 3 |
Randy Weston | 19 |
Ornette Coleman | 32 |
Don Byas | 52 |
Johnny Griffin | 66 |
Eddie Lockjaw Davis | 83 |
Leon Thomas | 100 |
Dizzy Gillespie | 121 |
Sonny Rollins | 166 |
Hampton Hawes | 179 |
Freddie Hubbard | 197 |
Elvin Jones | 219 |
Art Blakey | 239 |
Hazel Scott | 254 |
Betty Carter | 270 |
Thelonious Monk | 284 |
Other editions - View all
Common terms and phrases
African album anymore Art Blakey Art Tatum artist audience avant-garde bad writeups bandstand bass player be-bop Beatles beautiful believe better big band Billie Holiday Billy Eckstine Bird Bud Powell called cats Charlie Parker club coming concert critics develop Dizzy Gillespie Don Byas drugs drummer drums electronics Europe everything fantastic feel getting give guys happening Harlem hear heard influenced instrument interview jazz John Coltrane keep kids kind knew listen live look Louis Armstrong Max Roach mean Miles Miles Davis never niggers night person Philly Joe Jones pianist playing music record company rhythm saxophone shit sing singer solo someone songs sound stay studying talking Tatum tell Thelonious Monk there's thought told trumpet player tune what's word jazz write wrong Yeah York young