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SETTING THE PALETTE
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Alizarin crimson analogous appear areas arrangement artist beginner blue bright brush strokes brushwork building Cadmium red canvas center of interest Chapter charcoal clouds color scheme color wheel complementary complementary colors complements composition contrast create cumulo-nimbus darker detail direction distance draw dull easel edges effect Exercise experiment Farnsworth Figure flat Folinsbee give glaze gradation graded tones gradually gray green ground horizontal impasto IMPRIMATURA inches landscape light and dark light and shade lighter lines linseed oil look medium mineral spirits mixed nature nature's normal objects oil painting orange outdoor painter palette knife pencil perhaps perspective photograph pictorial picture practice prove Prussian blue rough scumbling seldom shade and shadow shapes simple sketch sometimes step student subject matter suggest surface textures things tint tree tube turpentine underpainting usually values vanishing points varnish vary words yellow