On Location Recording Techniques

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Taylor & Francis, Feb 11, 2013 - Technology & Engineering - 304 pages
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Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club.



Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right.
This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.

 

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Contents

Preface
Trademarks
Equipment for Remote Recording of Popular Music
Planning
Setup and Recording
Mixing and Editing
6Tips onBuilding a Recording Truck
Classical Music Recording and Stereo
11
TechniquesUsing RaisedBoundary Mics PZM Wedge L2 Array
Sphere Microphones References 12 Binaural
Binaural Recordingandthe ArtificialHead
SurroundSound Techniques DVD and Super Audio
Woszcyk Technique PZM Wedge Plus OppositePolarity
TwoMics outFront
Dolby Unitsfor DVD Mastering Super AudioCD References 14 Stereo Recording Procedures

8
References 9
HowWe
Currently Used ImageLocalization Mechanisms
10
15
Stereo Microphones and Accessories
Glossary
Index
Copyright

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