What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe considers the ways in which readers feel when they read, and how they understand ideas of feeling. On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare's late play, offer new readings of some major works, while the book's epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and the ethics of reading.
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aesthetic allegory allusion analogous argues artist attempt audience Belacqua Browning’s Browning’s Caliban Calder Caliban upon Setebos Cambridge University Press claims Clarendon Press Cleon cognitive creature critics dramatic monologue echoes Edward Mendelson emotion empathy Eric Griffiths Essays ethical Faber fact feeling Geoffrey Hill George Eliot God’s Harmondsworth human Ill Seen Ill imagination James’s John John’s Karshish language letter literary literature London Macmillan man’s Martha Nussbaum means mind Miranda Mirror moral MPTK narrative nature notes notion one’s Oxford University Press parody Penguin person philosophical phrase play poem poet poetic poetry possibility Princeton prose Prospero punctuation question quotation quote reader reading relation religious Robert Browning Routledge Samuel Beckett scepticism seems seen sense Shakespeare simulation speak speaker speech story suffering sympathetic T. S. Eliot Tempest textual theological theory things thought trans understanding Victorian voice W. H. Auden words writes York