On the Ruins of Babel: Architectural Metaphor in German Thought (Signale: Modern German Letters, Cultures, and Thought)

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Cornell University Press, Jun 24, 2011 - History - 316 pages
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The eighteenth century struggled to define architecture as either an art or a science-the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual.

In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum.

Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.

 

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Contents

Introduction
1
1 The Decline of the Classical Orders
14
2 Science or Art? Architectures Place within the Disciplines
29
3 Architecture in Kants Thought The Metaphors Genealogy
53
4 How Much Architecture Is in Kants Architectonic of Pure Reason?
107
5 The House of Memory Architectural Technologies of the Self
146
6 Goethes Architectural Epiphanies
162
7 The Building in Bildung Goethe Palladio and the Architectural Media
193
8 Goethe and the Disappointing Site Buildings That Do Not Live Up to Their Images
212
9 Gothic Deconstruction Hegel Libeskind and the AvantGarde
232
10 Benjamins Mythic Architecture
261
Bibliography
295
Index
311
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