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CHAPTER TWO ANALYZING THE SELECTION
CHAPTER THREE THE USE OF THE BODY IN ORAL INTERPRETATION
CHAPTER FOUR VOICE DEVELOPMENT FOR ORAL INTERPRETATION
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action Alfred Prufrock analysis appeal attention attitude audience aware breath chapter character CHICHIKOV climax CLOV complete Copyright drama Dylan Thomas E. E. Cummings effect emotional eyes factors feel FRAULEIN EMMA free verse give GRANDMA GUILDENSTERN HAMM hand hear imagery images important interpreter's intrinsic factors Jeff JULIA KOROBOCHKA listeners literary literature look M'am MAMA material mean MEGAERA MICK mind Miss Lonelyhearts MISTRESS mother muscle muscle memory narrative narrator never night OBERBAURAT Oral Interpretation pattern pause performance person physical play poem poet poetry prose Reprinted by permission response rhyme rhythm ROSENCRANTZ scene selection sense sentence sound speaker speaking speech phrases stage directions stanza story stresses structure style suggestion syllables T. S. Eliot technique tell terpreter Theodore Roethke thing thought tion TIRESIAS tone color turn vocal voice woman words writing