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Part I Basic Principles 1 1 A Beginning and an End
Major Structural Components
Major Aesthetic Components
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action Akhsa analysis Anna Deavere Smith audience begin body and voice breath cadences Caesar carefully Chapter characters Cleopatra climax concrete poetry Copyright death door drama e. e. cummings emma emotional excerpt experience eyes feel free verse fulcrum George girl group performance grusha hand hear imagery intrinsic factors Irina Junebug line length listeners literary literature live look Lynda Barry Mallard Martha material meaning Miss Lonelyhearts move muscles narrative narrator never night oedipus oral interpretation Ozzie pattern pause person physical play poem poet poetry preter prose readers rehearsal remember Reprinted by permission response rhyme rhythm scene second-person narrators selection sense sentence sound speaker speaking speech phrases stanza story stresses structure suggest sure syllables T. S. Eliot talk tell Theodore Roethke things thought tion tiresias tone color Tuzenbach understand verse vocal watch words