Originality as Vengeance in Philippine Literature |
Contents
ORIGINALITY AS VENGEANCE | 37 |
A Transcendence of Romance | 50 |
Nationalism and Realism | 72 |
Copyright | |
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aesthetic aesthetic-historical approach allegory American Anderson angay Arguilla artistic configuration awit balac Balagtas Baltazar Bathala character Christian Comparative Literature concentric comparativism concept context continuum create creation drama duplo Dupluhang Bayan Elias epic eurhythmics evaluation fictional world Fili Filipino cultural achievement Filipino short story Filipino writers Florante at Laura foreign elements foreign influences formal Francisco Balagtas Francisco Baltazar freedom genre Hiligaynon historical human Ibarra ilustrado individual literary inspired integration intent José Garcia Villa litera literary criticism literary piece literary tradition Lumbera Manila ment method metrical romance moro-moro movement narrative national consciousness native Noli Noli Me Tangere novel oppression originality Padre Damaso Philippine literary Philippine literature pino poem poet poetic poetry political psychological reader realism Rizal significance social realities society Spanish stage structure style Tagalog technique theater themes Third World tion transmuted ture unity values vernaculars Villa Western short story writing in English