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Movement in the Postimpressionist era
Movement in the arts around 1910
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abstract activity aesthetic Agam already animated appear artists attempt become began born called colour combination completed composition concerned connection construction continued create direct distinction dynamic effects elements environment exhibition experiments expression fact field figure finally forces give human idea important impression influence interest involved kind kinetic kinetic art later light machine materials means mechanical ment mentioned method MICHIGAN mobile motion move movement nature objects organic original painters painting Paris particular period picture plane plastic plastic arts play position possibilities principle problem procedure produced projections pure range real movement recent referred reflected relation relationship represented result rhythm sculpture sense similar simply sound space spectator stage structure suggest surface technique theme theory took traditional transformation turn universe various vibration virtual visual whole writes