Othello - A Racist Play?
GRIN Verlag, 2009 - 56 pages
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Bremen, language: English, abstract: Othello already raised questions about the nature of race, its social implications and about the correlation of outer appearances and inner qualities. The matter of skin colour and racist stereotyping is evident in Othello and it is vital for the interpretation of the play. As an "extravagant and wheeling stranger/ Of here, and every where" (1.1.135-136). Othello is not just like any other man, but largely defined by his origin and colour. In this paper I want to examine the role of Othello's skin colour in the play and if we can consider the play as racist. Although these questions are today probably more relevant than ever, my main focus will be to analyse the importance of race in the context of Shakespeare's times. In order to answer the question, whether or not Othello is a racist drama, I first have to define the term 'race'. As the concept of race has changed over time and is still changing, I will also look at Elizabethan attitudes towards race and foreigners and how strangers were portrayed on the Elizabethan stage. The play is not set in England, but in Venice, a place that serves a certain function in the play, which I will also examine. In the second part of this paper I will look at the play itself and its characters. I will analyse the different roles and their attitudes towards Othello's colour and how they influence Othello's self-perception and his personal fate. In Othello skin colour and blackness stand for more than just physical appearance or cultural background, but it is also linked to the character's inner lives and it largely determines the outcome of the play. The importance of racial concepts in Othello will be examined in the last part of this paper.
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16th Century According to Barthelemy Actors who blackened Adelman adultery Anouk Anderson Othello apparent marker argues attitude towards Venice Attitudes towards Othello's audience Barthelemy 1987 betrayal of Othello black character black hero Callaghan 2000 calls Othello Cohwig colonised concept of race considered defend Cyprus Description of Africa Desdemona and Othello Desdemona's father Brabantio desire for Othello Elizabethan attitudes Elizabethan England Elizabethan Era Elizabethan stage Emilia English attitudes exotic fear feelings GRIN Verlag Hunter Iago Iago's deception Iago's racist Loomba marriage to Desdemona Michael Neill military rank murder Muslim North Africa Omi and Winant opinion of Othello Orkin Othello's and Desdemona's Othello's blackness Othello's experience Othello's Race Othello's skin colour Ottoman Empire race in Othello racial difference Racist Play racist sentiments respond to Iago's Roderigo seems senate sexual social classes term race theatre Throughout the play traits Turks valiant Vaughan Venetian gentlewoman Venetian society villain win Desdemona's love